Tony SigThe idea that “loyalty to Christ” will entail a hard life, a life of the Cross indeed, and that such a life may make demands of us that even at times it will require the breaking of fellowship with other Christians for the sake of such “loyalty,” has been a subject of meditation for me for a while.  Scripture obviously at certain points indicate that “excommunication” sometimes is necessary, and this has been reinforced by many of the thinkers who have shaped my as-yet-young theological temperance.  A friend has recently had an extended (and excellent) blog series on just this point.  By some models though, “truth” – of the Gospel or of doctrine - is often set over against “unity,” which is sometimes even scorned as a concession to “man-made” structures and identities.  This comes up constantly in Anglican circles from both sides, the one is accused of favoring “unity” over “justice” or “truth” and vise versa.  Indeed “unity” almost always comes in short for these types of conversations.  This is the plague of Protestant sectarianism – if you can’t see the truth as it “plainly” is set forth in Scripture, then I’m starting a new sect.  ”Unity” here is always thrown into the eschatological future and has nothing whatsoever to do with the empirical Church.

Ephraim Radner calls this kind of thinking into stark question in all of his writings but concisely in his Hope Among the Fragments, specifically here his chapter “The Figure of Truth and Unity.”  Radner recalls us to the perfect coincidence of Truth and Unity with respect to Jesus Christ, a truth brought out strongly in the Gospel of St. John, not least chapters 14-17.  Radner challenges the dichotomy:

“If…unity and truth were  viewed in parallel with pneumatic fruit (Gal. 5:16-26), their coordination would be of a profoundly different kind than if they were viewed as variously attained aspects of obedience.  We do not tend to place kindness and self-control over and against each other…In walking by the Spirit, a Christian may fail to exhibit one spiritual fruit or another, such failures pertain to that life as a whole, to the character and shape of its discrete pneumatic history, and not to separable histories of particular virtues, as if one could say, “Until now, I have worked on love; only when this is achieved can I turn to joy.” (113-114)

Instead Radner points us to the traditional figural interpretation of the Song of Songs as an elucidation of the relationship of the Church to its Lord, a history that cannot be anything other than a complex and layered story.

“If this response [of the Church and its Lord] represents some kind of narrative progress, all that takes place in between – desire, opposition, sorrow, renewal – must therefore form the historical matrix within which the larger movement of union and conformity takes flesh” (119)

For Radner, this story envisions the Church as “a single character, whose variegated experience in relation to its Lord and lover never undermines the singularity of that link, but only undermines its temporal difficulty” (118)

Therefore:

“As a figure of the Church in the course of its Lord-conforming history, then, the Song of Songs is a bracing challenge to any attempt at its evaluative dissection on the basis of identifiable virtues.  There is simply no room, in such a narrative, for assessing degrees of integrity and then acting distinctly upon them.  For the existence of such degrees-the church of the more or less truthful, or more or less loving, or in more or less communion within its parts, upon which distinctions we must make decisions-cannot be detached from the single movements of its history in relation to its Lord.” (119)

This then is where I have and continue to struggle with the idea of understanding discipleship and sanctification, both individually within a parish and corporately between disparate bodies, as a singular “loyalty to Christ” which must be at all times maintained, for this is what (we are told) Scripture demands.  Such a position assumes that the appropriate response to the Lords calling will be clear and readily apparent, yet in a divided Church, such clarity is hardly forthcoming.  There is a sort of rigorist or puritan striving toward holiness, a position that historically has almost always lost.

Although I remain convinced that excommunication and parish discipline is absolutely necessary, this often can only be an exercise of authority open to contestation.  Because of course I myself demonstrate both loyalty and disloyalty to Christ, more and less obedience.  Rather than wrap up with a confident position of my own, I will end with a story from the desert monastics:

“There was a brother at Scetis who had committed a fault.  So they called a meeting and invited Abba Moses.  He refused to go.  The priest sent someone to say to him, “They’re all waiting for you.” So Moses got up and set off; he took a leaky jug and filled it with water and took it with him.  The others came out to meet him and said, “What is this, father?”  The old man said to them, “My sins run out behind me and I cannot see them, yet here I am coming to sit in judgment on the mistakes of somebody else.”  When they heard this, they called off the meeting.”

The Leaps of Christ

October 5, 2009

  james

exeter

I am working on some research concerning a venerable liturgical, homiletical, and poetic motif known as the ‘The Leaps of Christ.’  This research began when I was taking an Old English Poetry class at the University of New Mexico and did a translation project on a portion of an Old English (OE) poem known as Christ II or the The Ascension composed by a poet named Cynewulf in the late 7th or early 8th century.  The poem is part of a tryptic: Christ I is about the nativity, while Christ III is about the Final Judgment.  They are all three fascinating poems; the only extant copy of them is found in the Exeter Book, but good translations abound.

Anyway, back the The Leaps of Christ.  The motif comes from a beautiful little verse in the Song of Songs (2:8) “Behold, he comes leaping over the mountains and bounding over the hills.”  An early church father named Hippolytus allegorically interpreted the passage naming various Leaps that the Beloved (Christ, of course, according to his interpretation) made.  This list of leaps got passed on through homily, commentary and poem and in the Middle Ages enjoyed considerable popularity.  The most recent incarnation of the theme, interestingly enough, is Rick Found’s immortal late ’80s praise song: “Lord, I lift your name on high.” Cynewulf’s version of the motif is particularly nice, however, and below I present my translation.  If you’d like to look at the OE version of the poem, you’ll find it here; the line numbers that I’ve translated are 720-743.

The Leaps of Christ

The first leap was when he descended into the virgin,

the spotless maiden, and there took human form

without sins. He became that to help

all earth-dwellers. The second jump,

the birth of the child, was when he was in the manger

in the form of an infant, swaddled in garments,

the majesty of all majesties. The third leap,

the bound of the heavenly King ,father, and the spirit of comfort,

was when he climbed on the cross. The fourth jump,

in the tomb, was when he came off the beam

to the steadfast grave. The fifth leap was

when he brought low the horde of hell-dwellers

in torment. Within, the king bound

the hostile patron of the fiends to the fiery chains,

There yet does he lie

in the dungeon fastened to fetters,

shackled to sin. The sixth leap,

the frolic of the holy one, was when he ascended to heaven,

to his former home. Then, in that holy tide, the band of angels

made joyful with laughter, with delights,

saw the majesty of heaven,

the chief of princes, come into the native land,

the beaming habitation. Then the exploit of the Prince became

the eternal joy of the blissful citizens.

 

 

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